Man Booker Prize 2019 opens for entries
The submissions for the 2019 Man Booker Prize are now open.
The award goes to a long-form work of fiction, published in the UK and Ireland, with last year’s going to Anna Burns’ Milkman (Faber) leading to a significant spike in sales.
Each shortlisted author receives £2,500 and a designer bound copy of his or her book with the winner scooping a further £50,000. The work must be published in the UK or Ireland between 1st October 2018 and 30th September 2019. The form should be sent to Four Colman Getty by 8th March and eight copies of each work by 14th June 2019, with more details on submission here.
It was revealed last month that the judging panel for 2019 will be chaired by Peter Florence, director of the Hay Festival, with fellow judges including former fiction publisher and editor Liz Calder, novelist and filmmaker Xiaolu Guo, writer and broadcaster Afua Hirsch and pianist and composer Joanna MacGregor. The ‘Booker Dozen’, a longlist of 12 or 13 books will be announced in July and the shortlist of six books in September. The winner of the prize, sponsored by Man Group, will be announced in October.
Review of 2018 Part I: The Bestsellers
At the end of 2017, Waterstones boss James Daunt bemoaned that too few of that year’s books were blow-the-doors off bestsellers that “packed a wallop”. That all changed in 2018, with many titles showing impressive punching power.
Indeed, one of the reasons the UK print books market was able to notch up its fourth consecutive year of value growth is down to the very top of the table. The Official UK Top 100 of 2018 (by units sold) generated just under £130m through Nielsen BookScan’s Total Consumer Market, 11.3% up on what the top 100 shifted in 2017. Forty-nine titles earned £1m or more through the TCM last year, a 22.5% jump on the number of “BookScan millionaires” of 2017. Yet, we see the reverse a little further down the list: 71 books sold between £500,000 and £999,999 last year, against a whopping 133 titles which were in that bracket in 2017. In short, if 2017 was about spread betting, in 2018 you should have put your money on the front-runners.
The big hits included a former first lady, a début Scottish author, a doctor-turned-comedian-turned-memoirist and a from-fat-to-fit celeb chef. But first, let us turn our attentions toward the big beast of the Top 100, a 100,000-year-old woolly mammoth.
David Walliams’ The Ice Monster (HCCB) was in second place in the overall top 100 and was by far (260,000 units) the bestselling children’s title of the year. But that is just the tip of the iceberg: the kids’ book Walliams beat to number one was his own The World’s Worst Children 3 and he has a further eight books in the top 100. J K Rowling/Robert Galbraith, with five spots, is the only author within shouting distance of Walliams in terms of multiple entries.
But Walliams is not the true king of the 2018 top 100. No, that crown should go to his long-time collaborator and illustrator, Tony Ross. In addition to the 10 top 100 titles he worked on with Walliams, Ross also created the art for Clare Balding’s World Book Day release, The Girl Who Thought She was a Dog (Puffin), which hit 93rd place.
Oliphant in the room
It will be no surprise to regular Bookseller charts readers—or, for that matter, anyone who went into a bookshop in 2018—that Gail Honeyman’s Eleanor Oliphant is Completely Fine (HarperCollins) was the bestselling book of the year. It notched up the Mass Market Fiction top spot in its first week of release in late January and claimed the full market number one two weeks later. Throughout 2018—in which the book would pick up the Costa First Novel Award and the Nibbie for Book of the Year – it has been a remarkably consistent seller, earning seven non-consecutive overall and 18 Mass Market pole positions between January and September. Eleanor Oliphant… sold 240,000 more copies than the next-bestselling title, almost half a million more than the second top-selling work of fiction and it is already the 22nd best-selling general fiction book since accurate records began.
Another across the year fiction success was for Heather Morris’ The Tattooist of Auschwitz (Zaffre). The mass market edition ended the year with a flourish, scoring 13 consecutive MMPB number ones to finish sixth place in the overall 2018 chart. The January-released hardback, meanwhile, was a word-of-mouth hit through the first half of the year, eventually grabbing an Original Fiction number one in July. The HB just missed out on the top 100 (109th overall) and Morris’ début has sold 519,000 units for £3.3m in all print editions.
Adam Kay’s This is Going to Hurt (Picador) was essentially the non-fiction twin to Honeyman’s novel. Both were the bestselling hardback débuts in their respective categories in 2017, both swept the awards season and both reached even further heights of success in paperback. This is Going to Hurt spent a near-straight eight months atop the Paperback Non-Fiction chart, only falling twice from the pole in its 32-week stretch, and shifted over 500,000 copies across 2018.
Making the print market great again
In 2017, the Donald Trump bump saw sales boosts for classic political dystopias such as Nineteen Eighty-Four, which jumped to number one in the US charts the week of the President’s inauguration ceremony, and Sinclair Lewis’ It Can’t Happen Here, the story of a “vain, outlandish, anti-immigrant, fearmongering demagogue” who is elected to the highest office in the land. Somehow, the 2018 book market painted an even worse picture of Trump, with UK bookbuyers reaching deep into their pockets for several titles critical of him and his administration.
The year began with a bang when he attempted to stop US publisher Henry Holt releasing Michael Wolff’s Fire and Fury (Little, Brown) with a cease-and-desist letter, which made the title a runaway hit around the world—in the UK alone, it racked up over £1m earned in its first week on general sale. Bob Woodward’s Fear (S&S) followed in September, knocking Joe “the Body Coach” Wicks off the overall number one spot and scoring an average selling price of £15.58.
And would we have crowned Michelle Obama the Christmas number one (and the first author of colour to do so) if Hillary was in the White House? Becoming (Viking) shifted over half a million books in under two months, obliterated records set by Alex Ferguson’s My Autobiography (Hodder) in 2013 and, in the last week of the year, became the most expensive number one bestseller of all time, at £17.04.
Fire and Fury’s blazing success story at the start of the year had even more bizarre twist when it didn’t immediately rocket into the UK number one—despite blanket press coverage and the literal US President tweeting that he was “a very stable genius”. Instead, and perhaps demonstrating British bookbuyers’ commitment to “new year, new you”, Michelin-starred chef Tom Kerridge’s Lose Weight for Good (Absolute) pipped it to the post, setting the record for hardback sales in January. Kerridge lost 10 stone with a high-fat, low-carb diet—and netted his first number one in 2017 with Tom Kerridge’s Dopamine Diet—yet his more user-friendly calorie controlled recipe book shifted more than double its predecessor and became the bestselling cookbook of the year. Kerridge even dethroned the previously unassailable Wicks, shifting more than 200,000 copies in excess of the Instagram personal trainer’s The Fat-Loss Plan (Bluebird).
With their abllity to spend more on marketing, promotion, publicity and advances, the Big Four publshing groups almost always have a greater share of the biggest selling books than they do of overall sales. That was certainly the case in 2018, with 78 of the 100 entries split among Penguin Random House, Hachette, HarperCollins and Pan Macmillan. PRH claimed 34% of the top 100 in a year in which its overall print market share will be around 22%. Transworld is big part of this; PRH had 21 titles in the top 50, a third of which were from the commercial powerhouse, led by its crime lords Lee Child, Dan Brown and Paula Hawkins.
Hachette notched up 19 spots—an improvement on 2017 when it had 16 of the top 100—but only one of those was in the top 20, and that was John Grishamn’s 19th-placed The Rooster Bar (Hodder), although Wolff’s Fire and Furywould probably have also cracked the BookScan top 20 for Hachette if the print versions were available immediately after it had to be rush-released in early January. There were some decent Hachette Christmas crackers, though. John Murray had Stephen Hawking’s Brief Answers to the Big Questions (poaching the late physicist’s last book from Transworld), while Orion imprint Trapeze scored with both The Ordnance Survey Puzzle Book (a.k.a. this year’s GCHQ Puzzle Book) and the holiday season’s sleeper hit, Noel “the Supervet” Fitzpatrick’s Listening to the Animals, the latter of which shifted an impressive 75,000 units in the three weeks before Christmas.
HarperCollins was a smidgeon behind Hachette with 18 entries, 11 of which were from the heretofore discussed Honeyman and Walliams/Ross partnership, but breakouts included SAS badass turned TV presenter Ant Middleton’sFirst Man In (20th) and Henry Firth and Ian Theasby’s BOSH! (HQ, 54th), the standard-bearer for the surging vegan cookery market. A good year, too, for Pan Macmillan and its seven Top 100 entries, which include Kay, two from Wicks and the return of C J Sansom’s Turdor sleuth Matthew Shardlake in Tombland, which sold almost 170,000 units in hardback this autumn.
Only three publishers outside the Big Four had three or more entries. Bloomsbury’s had a quintet wtih Kerridge, Neil Gaiman’s Norse Mythology (33rd place) and three of Rowling’s Harry Potter tiltes (all told, the boy wizard’s backlist was worth £9.9m to Bloomsbury last year). Irish eyes smiled upon Faber for its three spots: Sally Rooney, the pride of Castlebar, Co. Mayo, hit 99th with the paperback of Conversations with Friends, while a Waterstones Book of the Year nod pushed Normal People up to 77th. Meanwhile, Belfast’s Anna Burns claimed the Man Booker Prize, and the 135,000-unit sale for her supposedly difficult Milkman was proof the Booker bounce was back.
Scholastic, lastly, had hits from the usual suspects—Liz Pichon’s latest Tom Gates adventure (92nd spot) and Julia Donaldson and Axel Scheffler’s newest (83rd)—and from completely out of nowhere with The Wonky Donkey. Craig Smith and illustrator Katz Cowley’s picture book was originally released in 2009 and up to the end of 2017 had sold a modest 2,100 copies through BookScan. But after a video of a Scottish woman reading the book to her grandson and dissolving into uncontrollable giggles on lines like “Who ever heard of a spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey?” went viral, the book hit the stratosphere, becoming the bestselling pre-school book of the year.
|Pos||Title||Author; Illustrator||Imprint||ISBN||2018 Total|
|1||Eleanor Oliphant is Completely Fine||Gail Honeyman||HarperCollins||9780008172145||866,200|
|2||The Ice Monster||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008164690||624,913|
|3||This is Going to Hurt||Adam Kay||Picador||9781509858637||541,219|
|5||Lose Weight for Good||Tom Kerridge||Absolute||9781472949295||406,665|
|6||The Tattooist of Auschwitz||Heather Morris||Zaffre||9781785763670||370,266|
|7||The World’s Worst Children 3||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008304591||365,606|
|8||The Meltdown||Jeff Kinney||Puffin||9780241321980||365,196|
|9||The Midnight Line||Lee Child||Bantam||9780857503619||354,769|
|10||Guinness World Records 2019||GWR||9781912286461||352,121|
|12||Sapiens||Yuval Noah Harari||Vintage||9780099590088||306,908|
|13||Into the Water||Paula Hawkins||Black Swan||9781784162245||265,379|
|14||The Break||Marian Keyes||Penguin||9781405918756||255,029|
|15||The Midnight Gang||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008164621||244,358|
|16||5 Ingredients||Jamie Oliver||Michael Joseph||9780718187729||242,416|
|17||Past Tense||Lee Child||Bantam||9780593078198||213,609|
|18||The Wonky Donkey||Craig Smith; Katz Cowley||Scholastic||9781407195575||213,310|
|19||The Rooster Bar||John Grisham||Hodder||9781473616998||205,025|
|20||First Man In||Ant Middleton||HarperCollins||9780008245719||200,624|
|21||Where’s the Unicorn?||Sophie Schrey & Jonny Marx; Paul Moran||Michael O’Mara||9781782439073||188,087|
|22||The Fat-Loss Plan||Joe Wicks||Bluebird||9781509836079||183,004|
|23||Listening to the Animals||Noel Fitzpatrick||Trapeze||9781409183747||182,463|
|24||Harry Potter and the Philosopher’s Stone||J K Rowling||Bloomsbury||9781408855652||182,281|
|25||Camino Island||John Grisham||Hodder||9781473663749||179,444|
|26||Brief Answers to the Big Questions||Stephen Hawking||John Murray||9781473695986||178,798|
|27||Fantastic Beasts: The Crimes of Grindelwald||J K Rowling||Little, Brown||9781408711705||171,803|
|28||Why We Sleep||Matthew Walker||Penguin||9780141983769||169,674|
|29||Tombland||C J Sansom||Mantle||9781447284482||167,014|
|30||The Girl Before||J P Delaney||Quercus||9781786480262||164,686|
|31||12 Rules for Life||Jordan B Peterson||Allen Lane||9780241351635||163,961|
|32||Fire and Fury||Michael Wolff||Little, Brown||9781408711408||162,427|
|33||Norse Mythology||Neil Gaiman||Bloomsbury||9781408891957||161,513|
|34||Surprise Me||Sophie Kinsella||Black Swan||9781784160432||161,233|
|35||Oi Goat! (WBD)||Kes Gray; Jim Field||Hodder||9781444942316||160,998|
|36||Jamie Cooks Italy||Jamie Oliver||Michael Joseph||9780718187736||158,620|
|37||Gangsta Granny||David Walliams; Tony Ross||HarperCollinsChildren’s||9780007371464||156,475|
|38||Homo Deus||Yuval Noah Harari||Vintage||9781784703936||156,236|
|40||Brain Freeze (WBD)||Tom Fletcher; Shane Devries||Puffin||9780241323724||154,113|
|42||Good Night Stories for Rebel Girls||Elena Favilli & Francesca Cavallo||Particular||9780141986005||153,042|
|45||No Middle Name||Lee Child||Bantam||9780857503770||149,632|
|46||The Last Tudor||Philippa Gregory||Simon & Schuster||9781471133077||149,363|
|47||Prisoners of Geography||Tim Marshall||Elliott & Thompson||9781783962433||149,126|
|48||Wonder||R. J. Palacio||Corgi||9780552565974||148,035|
|49||Beano Annual 2019||D C Thomson||9781845356798||147,834|
|50||The Official Highway Code||TSO||9780115533426||147,505|
|51||Little Fires Everywhere||Celeste Ng||Little, Brown||9780349142920||145,788|
|52||The Couple Next Door||Shari Lapena||Corgi||9780552173148||145,231|
|53||A Legacy of Spies||John Le Carré||Penguin||9780241981610||142,221|
|54||BOSH!||Henry Firth & Ian Theasby||HQ||9780008262907||141,983|
|55||Then She Was Gone||Lisa Jewell||Arrow||9781784756253||141,387|
|56||The Good Daughter||Karin Slaughter||HarperCollins||9780008150792||140,518|
|57||Paddington Turns Detective (WBD)||Michael Bond; Peggy Fortnum||HarperCollinsChildren’s||9780008279806||139,851|
|58||You Are Awesome||Matthew Syed; Toby Triumph||Wren & Rook||9781526361158||139,163|
|59||How to Stop Time||Matt Haig||Canongate||9781782118640||138,078|
|60||Awful Auntie||David Walliams; Tony Ross||HarperCollinsChildren’s||9780007453627||136,040|
|62||Demon Dentist||David Walliams; Tony Ross||HarperCollinsChildren’s||9780007453580||133,581|
|63||The Getaway||Jeff Kinney||Penguin||9780141376677||133,580|
|64||Grandpa’s Great Escape||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008183424||132,628|
|65||Harry Potter and the Chamber of Secrets||J K Rowling||Bloomsbury||9781408855669||128,958|
|66||Bad Dad||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008164652||128,560|
|67||The Ordnance Survey Puzzle Book||Dr Gareth Moore||Trapeze||9781409184676||126,282|
|68||Insidious Intent||Val McDermid||Sphere||9780751568240||125,889|
|69||Why Mummy Swears||Gill Sims||HarperCollins||9780008284213||124,116|
|70||The Thirst||Jo Nesbo||Vintage||9781784705091||122,862|
|71||Classic||Mary Berry||BBC Books||9781785943249||120,182|
|72||He Said/She Said||Erin Kelly||Hodder||9781444797145||119,699|
|73||The World’s Worst Children||David Walliams; Tony Ross||HarperCollinsChildren’s||9780008197032||119,500|
|74||Private Eye Annual 2018||Ian Hislop||Private Eye||9781901784664||118,341|
|75||Blowing the Bloody Doors Off||Michael Caine||Hodder||9781473689305||115,762|
|76||Double Down||Jeff Kinney||Puffin||9780141376660||114,926|
|77||Normal People||Sally Rooney||Faber||9780571334643||114,233|
|78||Dear Zoo||Rod Campbell||Macmillan Children’s||9780230747722||114,178|
|79||Dead If You Don’t||Peter James||Pan||9781509816378||113,687|
|80||Fire and Blood||George R R Martin||HarperCollins||9780008307738||113,684|
|81||A Stranger in the House||Shari Lapena||Corgi||9780552173155||113,414|
|82||Lethal White||Robert Galbraith||Sphere||9780751572858||113,117|
|83||The Ugly Five||Julia Donaldson; Axel Scheffler||Alison Green||9781407184630||112,874|
|84||End Game||David Baldacci||Pan||9781447277415||110,787|
|85||The Chimp Paradox||Prof Steve Peters||Vermilion||9780091935580||110,766|
|86||Friend Request||Laura Marshall||Sphere||9780751568356||109,610|
|87||Harry Potter and the Prisoner of Azkaban||J K Rowling||Bloomsbury||9781408855676||109,350|
|88||Sleeping in the Ground||Peter Robinson||Hodder||9781444786903||109,293|
|89||How to Be a Footballer||Peter Crouch||Ebury||9781785039768||108,369|
|90||The Story of Brexit||Jason Hazeley & Joel Morris||Michael Joseph||9780241386569||108,294|
|91||My Book about Me by Mr Silly (WBD)||Adam & Roger Hargreaves||Egmont||9781405290869||108,047|
|92||Biscuits, Bands and Very Big Plans||Liz Pichon||Scholastic||9781407179858||107,853|
|93||I’ll Keep You Safe||Peter May||riverrun||9781784294977||106,838|
|94||The Girl Who Thought She Was a Dog (WBD)||Clare Balding; Tony Ross||Puffin||9780241323731||106,450|
|95||In a House of Lies||Ian Rankin||Orion||9781409176886||106,427|
|96||Close to Home||Cara Hunter||Viking||9780241283097||104,434|
|97||Joe’s 30 Minute Meals||Joe Wicks||Bluebird||9781509836093||104,045|
|98||Billionaire Boy||David Walliams;Tony Ross||HarperCollinsChildren’s||9780007371082||103,720|
|99||Conversations with Friends||Sally Rooney||Faber||9780571333134||103,482|
|100||Birthday Boy||David Baddiel; Jim Field||HarperCollinsChildren’s||9780008200510||103,134|
Rebuck pays tribute to ‘writer’s publisher’ Stephen Johnson
Penguin Random House UK chair Gail Rebuck has paid tribute to Stephen Johnson, the former m.d. of Exclusive Books and Random House South Africa, who died earlier this week, as “a larger than life figure” in South Africa’s publishing industry who will be “greatly missed”.
Johnson, born in Cape Town, was dubbed a “writer’s publisher” by his authors and had a career in the book trade spanning 40 years. He started out at educational publisher Maskew Miller before becoming m.d of the South African book chain Exclusive Books. Subsequently he became m.d. for Random House South Africa, a role he held for two decades until in 2008 he was made the founding m.d. of Random House Struik. After this, from January 2013 to June 2014, he served as c.e.o. for Penguin South Africa for two years, before going on to work for South African discount book retailer Bargain Books. He died on Tuesday (1st January).
In tribute, PRH SA c.e.o. Steve Connolly hailed him “a true leader in the industry”. Meanwhile Rebuck recalled Johnson’s exuberance and said he would be “greatly missed”.
Connolly wrote as part of an email to staff in the South African office: “In his time as a publisher, Stephen worked closely with many great writers and was an active and larger than life figure in the local publishing industry. Stephen was renowned for his erudition and remarkable eloquence, making him much in demand as Master of Ceremonies for many events. He was an active and highly involved figure in the Publishers Association of South Africa for many years and has been a true leader in the industry. Our thoughts go to Louis, his partner, and to his children and family.”
Rebuck said: “It is with great sadness that I heard the news of Stephen Johnson’s untimely death. He was a larger than life figure and the face of Random House in South Africa for many years.
“I shall never forget an incredible visit to South Africa to launch Umuzi in 2006, when Stephen had arranged a surprise and truly remarkable tea with Nelson Mandela. Mandela responded so warmly to Stephen’s size and exuberance that he started calling him The Boxer – a nickname we adopted for Stephen ever after.
“Stephen was known in South Africa as the ‘writer’s publisher’ and will be greatly missed.”